Best of Senso Sounds (2018)


Best of Senso Sounds (2018)

Artist: Various Performers
Title: Best of Senso Sounds 2018
Label: Senso Sounds
Style: Electronica, Techno, Minimal, Dark, Tech House
Release Date: 14-12-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 15 Tracks
Time: 01:44:45 Min
Size: 240 MB

VA – Try a Little Sunshine: The British Psychedelic Sounds of 1969 (2018) FLAC & 320kbps


VA – Try a Little Sunshine: The British Psychedelic Sounds of 1969 (2018) FLAC & 320kbps


VA – Try a Little Sunshine: The British Psychedelic Sounds of 1969 (2018) FLAC & 320kbps


Category: box-set, psychedelic rock


David Wells and Grapefruit Records continue to raid the archives of late ’60s British psychedelic pop with their third Nuggets-like box set, Try a Little Sunshine: The British Psychedelic Sounds of 1969. The set continues from previous Grapefruit Records releases Let’s Go Down and Blow Our Minds: The British Psychedelic Sounds of 1967 and Looking at the Pictures in the Sky: The British Psychedelic Sounds of 1968, offering, like those, three CDs of music from the year in question accompanied by a booklet of brief but excellent liner notes and period artwork. By the collective evidence of these sets, it could appear that every British youth between the ages of 17 and 22 was in a band of some sort during this period; there are so many vibrant, if fleeting, talents gathered here.


VA - Try A Little Sunshine The British Psychedelic Sounds Of 1969 (2018)

VA - Try A Little Sunshine The British Psychedelic Sounds Of 1969 (2018)
VA - Try A Little Sunshine The British Psychedelic Sounds Of 1969 (2018)
EAC Rip | FLAC (Tracks) +cue, log, m3u, artworks - 1.14 GB | MP3 CBR 320 kbps - 554 MB | 03:56:44
Psychedelic Rock | Label: Grapefruit Records

1967 was undoubtedly the high-water mark of the era, but the psychedelic genre's influence lingered for some while afterwards. Nevertheless, there were significant changes during that period, and by the end of the decade the British music scene had largely polarised into two distinct camps: the influence of the counterculture saw the burgeoning college/university circuit grow as "serious" pop evolved into rock, while the more exploitative, commercial element of the industry reacted to the success of manufactured bands like The Monkees to instigate a sub-genre dismissively dubbed bubblegum.

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